Book Design

Editorial design for books, catalogues and publications in art, culture and the public sphere

Micah Purnell designs books, catalogues and printed publications for artists, cultural organisations, charities and brands.

His practice combines editorial design, typographic direction, narrative structure and production thinking to create publications with clarity, atmosphere and lasting presence. Each project begins with pacing, sequence and form - shaping content into a reading experience that feels coherent, tactile and memorable.

Working across monographs, exhibition catalogues, cultural publications and commissioned print, the aim is always to create books that are both visually distinctive and carefully made as physical objects.

Coffee Table book curated and designed with specially written social commentary truisms. All photography shot in New York by photographer Richard Harris of London, England.

 

Editorial Design

A design led approach centred on narrative flow and visual language.

Working closely with supplied imagery and text, the process considers pacing, scale, silence and composition to shape a publication that feels coherent from cover to close.

Includes

Editorial design and layout / Narrative structure and chapter rhythm / Typographic systems and visual language / Image sequencing, integration and scale / Pull quotes and editorial moments / Print ready artwork / Production consultation throughout

Production Direction

Creative direction carried through to material execution and print.

Alongside the editorial process, production becomes part of the storytelling. Paper stocks, finishes, binding methods and physical details are considered as extensions of the narrative itself, creating moments of texture, surprise and intimacy within the object.Includes

Conceptual production direction / Paper, binding and finish recommendations / Vendor liaison and scheduling / Proof review and colour management / Press oversight / Feasibility studies for special production details

Production Approach

Production is approached conceptually rather than technically. The aim is not embellishment for its own sake, but the creation of tactile experiences that deepen the reader’s connection to the work.

This may involve subtle interventions through paper engineering, binding, material contrast or concealed details that reveal themselves gradually through use.

In certain cases, I may recommend refining standard formats to create a quieter sense of distinction. For example, slightly reducing the height of an A4 format can create a more considered proportion while remaining economically efficient.

Each publication is developed collaboratively, with scope and production direction refined in response to the needs of the project.



 

Client Creature / Creative Fanzine

Task Book Design

Special Features: Creature is a sporadic arts zine which places establish artists along side up and coming artists.



Client Hebtro Co and AJ Wilkinson

Task Role: Book Design, Art Direction

Special Features include ‘hidden’ French folds, gatefold pages, white ink, sewn bound, Cover on G.F. SMITH Wild, Internal pages Fedrigoni.

 


Client Manchester Metropolitan University and Collect Art

Role Book Design

Editing and Art Direction including: layout and composition, cover design and art direction, material sourcing, head and tail bands, and end papers.

 


Client Victory Outreach

Task Case Study



Client Peter Rollins

Task Event Program

Special Features: The book for Peter Rollins’ festival of ideas included a daylight-hours key, on each page, events were listed alongside a visual key for the time of day, from sunrise to the dark hours, as events ran from Coffee & Concepts, to late night whisky sessions.

 


Client Peter Rollins

Task Event Program



Client Self Publishing

Task Book Design

Special Features Currently none, it’s just an idea so please don’t email about ordering.

 


Client Vogue Sourcing

Task Digital Brochure

Special Feature Vogue Sourcing source garments for the high street giants NEXT. The brochure was designed to attract clients globally.

 


Client Andy Hunter / Bible Society

Task Book Design / Art Direction / Editing

Special Features: This experimental book played with the sense. We used white ink on tracing paper, the finest brilliant white smooth G.F.SMITH stock. The theme of the final of five chapters was titles New Life. Oftentimes, with new beginnings there is a rupture or scar of old left behind, as such we included a French Fold with a perforation, for the reader to tear in order to reveal the final chapters’ content.

 


Client Debbie Wattis

Task Book Design / Art Direction

Special Features: My Year in Pictures is the journey of weight loss charted through pictures for every day of a year. The book gained national press attention.

 


Book cover design

Client Malcolm Down Publishing

Task Cover Design

Special Features: Vicky Walker is a writer, speaker and radio broadcaster fascinated by modern relationships and where faith fits in the world. She has presented on BBC Radio 4's Daily Service and Premier Radio.

 


Client Adrienne Dengerink Chaplin

Task Book Design

Special Features: Art Conflict and Remembering charts the murals of the Bogside Artists in Derry, Northern Ireland during The Troubles. The book was developed into a touring exhibition.

 


Client Self Published

Task Book Design

Special Features: A book of quotes from positive messaging to social critique.

Sold Out

 


Client Heath Street Baptist Church, Hampstead Heath

Task Book Design

Special Features: This piece used an eco friendly printing technique known as Risograph printing, using gold.

 


Client Bible Society / Andy Hunter

Task Book Design

Special Features: Initial ideas for sewn binding, cotton colours and lush metallic and textured G.F.SMITH papers.

 


Client HeartEdge

Task 300 page Case Study

Special Features: Following and enhancing brand guidelines.